Peter Shapiro

Original Article Published on The JNS

Relix magazine and the Brooklyn Bowl are well-known to music lovers worldwide. This year, they will become even better known as they host “High Holidays –A Suite of Spiritually Driven Holiday Services,” an innovative musical worship experience for both Rosh Hashanah and Yom Kippur.

Relix Magazine, the print and online publication, was launched in 1974 to focus on the live music scene. The Brooklyn Bowl is a music venue, bowling alley and restaurant in the Williamsburg neighborhood of Brooklyn, N.Y., with branches in both Nashville and Las Vegas. Both are owned by music-world mover, shaker and mensch Peter Shapiro.

These musical Rosh Hashanah and Yom Kippur evening and daytime services are celebrating their 10th consecutive year. Services on both days of Rosh Hashanah will take place in person at the Brooklyn Bowl for a limited number of worshippers.

Erev Rosh Hashanah will be livestreamed Sept. 6 at 7:30 p.m. EST on with Rosh Hashanah morning livestreamed Sept. 7 at 10 a.m. Kol Nidre will be livestreamed on Sept 15. at 7 p.m. from the Relix Studio. Yom Kippur morning will be livestreamed on Sept. 16 at 10 a.m.

The High Holiday services, often to referred to as “Bowl Hashanah,” are hosted by Friday Night Jams/Because Jewish and will be led by Rabbi Daniel Brenner; Jeremiah Lockwood (musical coordinator); vocalist and bass player Yula Beeri; and trumpeter and Antibalas charter member Jordan McLean.

Services include a variety of musical guests from the Jewish and secular world who will appear both live and through pre-recorded performances. The “who’s who” of musicians include Armo, Eric Slick (Dr. Dog), Ross James (Terrapin Family Band), Alex Bleeker (Real Estate), Stuart Bogie (Antibalas/Arcade Fire), Eric Krasno, Dan Lebowitz (ALO), Lenny Kaye (Patti Smith Group), Dave Harrington (Darkside), Adam Roberts, Spencer Zahn, Anthony Russell, Brian Chase (Yeah Yeahs) and more.

Rosh Hashanah morning services will include traditional prayers, Torah reading and a shofar service, as well as guided meditation by Yael Shy, CEO of Mindfulness Consulting.

The marquee for the “High Holidays–A Suite of Spiritually Driven Holiday Services” at the Brooklyn Bowl. Credit: Courtesy.

Shapiro proudly notes that “Bowl Hashanah has become a meaningful tradition for Brooklyn Bowl. To have a holiday that means so much, marking the beginning of the New Year, is a life highlight for me personally. I look forward to continuing this tradition forever.”

‘They tell the stories of our people’

Relix editor-in-chief Mike Greenhaus feels that the Brooklyn Bowl, which has historically hosted Bowl Hashanah in person in non-COVID times, is ideal for the High Holidays experience. “We have said for years that Brooklyn Bowl is our sanctuary, clubhouse, church and synagogue, so it only makes sense that it has grown into the spiritual home for our musically inclined Rosh Hashanah services over the years. Especially at a time when so many of us have been apart from our friends and family due to the pandemic, we hope that our suite of traditional but-open-minded and inclusive services will allow us to connect with each other as we ‘begin again’ at the start of this new year.”

While many online and in-person (indoor and outdoor) options exist for worshippers worldwide this High Holiday season, Greenhaus senses that Bowl Hashanah fills a unique place in the Jewish world. He hopes “the services will help make those watching from home or in-person feel a deep connection between their Jewish spiritual world and the live-music community that originally brought so many of us together.”

The service facilitators offer important contributions to the worship experience. Jeremiah Lockwood—the frontman of Sway Machinery, who has also toured extensively with Balkan Beat Box—returns to New York after being absent for a few years while completing his Ph.D. at Stanford University. Lockwood is the son of composer Larry Lockwood and the grandson of the legendary Cantor Jacob Konigsberg. His dissertation, “Golden Ages: Chassidic cantorial revivalists in the digital age,” focused on young cantors in the Chassidic community.

Jeremiah Lockwood. Credit:

While Bowl Hashanah has a very modern flavor, Lockwood, perhaps unsurprisingly, very much values the cantorial tradition and nusach (liturgy/tunes). “I look to the old-school cantors as great. They speak the music to tell the stories of our people. And they bring the people with them. This is rare in the contemporary world.”

He acknowledges that people “want to have an activating, enjoyable experience.” He and his partners intend to help them on that journey.

Lockwood is looking forward to working more directly with Yula Beeri and appreciates that she “stepped in,” learning the service in his absence. “We are working on vocal arrangements, and what she is bringing will add a great deal,” he says.

And Beeri is similarly honored to work with Lockwood. “Jordan called three years ago from the West Coast to see if I would come on board and sing a few songs. I said, ‘Of course. When I found out the scope, I was amazed, frightened and intrigued!”

The secular-born Israeli lives in Brooklyn and is the founder of the music and arts collective Yula & The Extended Family (YXFM). She often performs with her husband, drummer Isaac Gardner. Beeri points out that the service fills an important need in the community: “These experiences fill a gap for people like me! People with a secular background who are searching for Jewish identify while also being an artist and musician.”

‘Channeling the crowd experience’

Rabbi Daniel Brenner is excited about the upcoming services but acknowledges that he is still thinking back to last Rosh Hashanah when it was unclear if the service would happen due to the pandemic. “For me, on an emotional level, having a group of musicians on stage making music was like coming out of hibernation and interacting with the world for the first time.”

Blowing the shofar. Credit:

He was delighted to learn that 20,000 people were watching online.

Brenner captures what is so special about the Bowl Hashanah High Holiday experience. As he explains, “it is putting the experience of live music first and designing a High Holidays celebration around an experience of live music for people for whom live music is their thing.”

And he understands what fans of the jam band scene are looking for, saying “these are people not afraid of a song lasting longer than 10 minutes.” Participants often bring both their young children and their older parents, who also find the experience enjoyable.

And Brenner is there to serve as everyone’s guide. “My role,” he says, “is to be channeling the crowd experience rather than being the rabbi MC.”

He adds, “I have to be immersing myself in the music for it to be authentic. I have to throw myself into it.”

Brenner will also offer short kavannot—prayer explanations and spiritual guidance—as well as parables that he will prepare.

Brenner strives to offer an inclusive, welcoming user experience. “It is similar to a live show—you can sit, stand, wiggle, dance—and you won’t be judged because you can do your own thing and be free of inhibition.”

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Original Article Published On The Jerusalem Post

All services will be broadcast for free, live from New York’s Brooklyn Bowl, without an audience, via

NEW YORK – The coronavirus pandemic isn’t stopping The Brooklyn Bowl, the funky and famous bowling alley and music venue in Williamsburg, New York, from marking the High Holy Days, as it has done for the last nine years.This year’s “Bowl Hashana” will be online, however, as the venue’s owner, Peter Shapiro and the team at “Just Jewish” have gotten creative and found what they call “a suite of musically and spiritually driven High Holiday services” which also include Yom Kippur this year.

Four events – (all listed US East Coast, Brooklyn time) on the first night and first day of Rosh Hashanah (September 18 at 7:30 p.m. and September 19 at 10 a.m.), Kol Nidre (September 27 at 7 p.m.) and Yom Kippur day (September 28 at 10 a.m.) will be led by Rabbi Daniel Brenner and musical director and Antibalas co-founder, Jordan McClean. Jeremiah Lockwood, who was a member of Balkan Beat Box, will serve as musical and spiritual supervisor remotely.

“As a rabbi, I hope to draw on the spiritual power of the liturgy and ritual of the high holidays to speak directly to the anguish, soul-searching and desire for redemption that the last five months has brought upon us,” said Brenner. “Broadcasting the music and ritual of the Yamim Noraim [Days of Awe] from the Brooklyn Bowl, a place that hundreds of thousands of New Yorkers associate with joy and the celebration of America’s musical diversity, will not only connect new audiences to ancient prayers, but will help comfort and inspire us at a time when we all could use some uplift.”Lockwood added, “I am grateful to have the chance to reunite this community at this deeply meaningful time of year. This format for presenting music will be unique in my experience as an artist and spiritual seeker, and I am very excited to see how the observers receive it!”
All services will be broadcast for free, live from New York’s Brooklyn Bowl, without an audience, via

Shapiro, publisher of Relix Magazine and a concert promoter, best known as the promoter for Fare Thee Well: Celebrating 50 Years of the Grateful Dead,” is pleased Bowl Hashanah, and now Yom Kippur services, will continue to be offered at the Brooklyn Bowl, even during these unusual times.

“The Jewish Holidays are always a powerful time of the year, where renewal and hope and forgiveness help center us as we enter a new season and a new year. Rosh Hashanah and Yom Kippur will be even more meaningful this year, given the significant challenges that we are facing on a daily basis. Personally, I can’t wait to hear the sound of the shofar. I am really hoping for a very strong blow at the Bowl, one that really clears out the pipes, of both the Internet and our souls!”

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Original Article Published On The Jerusalem Post

New York’s ‘Bowl Hashanah’ melds the concert and synagogue experience into a new community

NEW YORK – For far too many Jews, Rosh Hashanah elicits less than fond memories of endless prayer services led by a cantor, a sermon by an often uninspiring rabbi and a cavernous synagogue. Thanks to some innovative rabbis and musicians, a decidedly unorthodox way of marking the Jewish New Year has taken hold in the New York area. Welcome to Bowl Hashanah.

The spiritual celebration, which is taking place on the first day of Rosh Hashanah at New York’s famed Brooklyn Bowl music venue and bowling alley, is entering its seventh year of providing a musical experience that features some of the better-known traditional prayers alongside accessible explanations and meditations. The holiday experience will also include Torah reading, shofar blowing, tashlich and a communal vegetarian meal.

The true magic is in the music, with carefully selected and coordinated musical sets throughout the morning and during lunch. The mainstays of the event are the organization Because Jewish and Relix Magazine, long associated with the Grateful Dead and the jam band scene.

The event is being led by Rabbi Daniel Brenner and musical director and trumpeter Jordan McLean of the musical group Antibalas.

“I’ve always loved my suburban synagogue, and still attend services there,” said Mike Greenhaus, editor of Relix Magazine, as he recounted Bowl Hashanah’s evolution. In 2012, he and his then-girlfriend (now wife) were looking for something a little closer to home in New York City. As they were exploring options, they came across Rabbi Dan Ain, who was leading services for the first time at 92YTribeca, a now-closed Manhattan performance space and community center.

“He was leading with Jeremiah Lockwood, who I was already a fan of through his band the Sway Machinery, and his work with the members of Antibalas,” Greenhaus recounted. “We went to his Erev Rosh Hashanah service and were immediately stuck by both their mix of authentic, traditional holiday prayer and modern, equally authentic music, and how the entire service felt tied to our daily lives as 20/30-something New Yorkers working in media and music. It felt, for, the first time, that we had found our spiritual congregation.”

After a few years at 92Y, the Rosh Hashanah experience moved in 2015 to what Greenhaus described as “the perfect venue” – Brooklyn Bowl.

“I know that I wasn’t the only one could really feel that they were having a proudly religious experience alongside the close-knit music community that has been part of my New York family for decades,” Greenhaus said. “Interestingly, everyone also seemed to assume the nooks and crannies they felt comfortable with at a concert. People who like to ride the rail were seated up front. People who like to hover in the back by the bar were huddled in the same place. People who usually watch in the bowling lanes congregated in that space.

“Brooklyn Bowl always felt more like a club house – a gathering place, much like a church or synagogue – than a traditional venue,” he added.

Greenhaus stressed that the expansion of the event couldn’t have succeeded without the involvement of the Brooklyn Bowl’s owner Peter Shapiro, a legend- like figure in the Grateful Dead world who has been instrumental in the career of the post-Dead configuration Dead & Company.

Shapiro, who grew up at Manhattan’s Central Synagogue, was raised with deep connections to the Jewish community. His father, Daniel, was president of New York’s Federation of Jewish Philanthropies and a founder of the Jewish Community Relations Council. His grandfather, Ezra, was a leader in Zionist organizations for more than 50 years: he served as world chairman of the United Jewish Appeal and was one of 19 American Jews summoned by David Ben-Gurion in 1945 to organize American support for the Hagana. He eventually made aliyah.

Shapiro has long noticed that “these venues, and in particular the Brooklyn Bowl, are places of worship… very spiritual places.” He recalls his experience at Wetlands, the Manhattan nightclub he purchased in 1996. “In 48 hours at Wetlands, you would see different- looking people, all looking for the same thing, but going about it in a different way.”

Shapiro felt the Brooklyn Bowl would be the perfect venue for Bowl Hashanah.

“It had the space and layout – the stage is like a bimah,” Shapiro said. “The specs of the Brooklyn Bowl are of at the highest level of audio – the wood has been acoustically treated – and it has been good for people like Robert Plant and Adele.”

The venue is also used for such Jewish-themed events as the Friday Night Jam speaking series, which discusses the connection between music and spirituality across styles and religious backgrounds.

Ain, who relocated to San Francisco in 2018, and now serves as rabbi of a Congregation Beth Sholom, a Conservative synagogue in the Richmond District, recounts the history of the Bowl Hashanah prayer experience. He praises his longtime collaborator at Bowl Hashanah, Jeremiah Lockwood, the front man for The Sway Machinery.

“I was looking for a different type of prayer leader for my downtown services, one who could speak to a new generation while at the same time, recall an older experience that many of us who grew up in the latter part of the 20th century never truly got to experience or appreciate,” Ain said. “I prayed for such a person – who could combine the new and the old – and who had the chops to do both. That’s when Jeremiah and I met. And we’ve worked together every year since.”

Rabbi Daniel Brenner, who will lead this year’s High Holiday services with Antibalas cofounder Jordan McLean, reports that he will “frame the experience, tell stories about the history of the music, and let the music be a vehicle for us spiritually—to let the music evoke emotions.”

Brenner views Bowl HaShanah “not as much a service as a celebration of the holiday,” though, he adds, “that is not to say I won’t open up the door to connection with the Divine and the cosmic.”

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